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Sarasota Orchestra

April 5-7, 2019

Beethoven Symphony No. 9

Anu Tali, Conductor

Elizabeth Baldwin, soprano
Blythe Gaissert, alto
Miles Mykkanen, tenor
Branch Fields, bass


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Anchorage opera

February 8-10, 2019

Eva Crowley - An American Dream

Municipal de Santiago 

Opera Nacional de Chile

November 7-17, 2018​

Title Role - Norma​



May 12, 2018

Title Role - Tosca

Andrew M. Kurtz, Conductor

Elizabeth Baldwin, Tosca

Marco Panuccio, Cavaradossi

Gustavo Feulien, Scarpia




November 9, 2017




September 8 & 10, 2017

Title Role - Suor Angelica


Miami Music Festival:

Wagner Institute

July 22, 2017

Sieglinde in Die Walküre

"Elizabeth Baldwin was a rapturous Sieglinde."  - South Florida Classical Review

"Soprano Elizabeth Baldwin, as Sieglinde, has a voice of substantial weight that is smooth through all its registers, which is what Wagner singing needs to be effective over the long haul."

- Palm Beach Arts Paper


Alabama Symphony Orchestra

March 31 & April 1, 2017

Requiem - Verdi

Carlos Izcaray, Conductor
Elizabeth Baldwin, Soprano
Claudia Chapa, Mezzo-Soprano
Adam Diegel, Tenor
Hyung Yun, Baritone

"Elizabeth Baldwin’s instrument was undeniably big, often cutting over and through the texture."

- Arts Birmingham


Loft Opera

December 8-18, 2016

Lady Macbeth - Macbeth

Sean Kelly, Conductor

Laine Rettmer, Director 

Craig Irvin, Macbeth

Elizabeth Baldwin, Lady Macbeth

Peter Scott Drackley, Macduff

Kevin Thompson, Banco

Martin Schreiner, Malcolm

"Ms. Baldwin inhabited her role with searing conviction. Her voice is capable of flashes of granitic coldness but gained an appealing smokiness and heat as the evening progressed. Her sleepwalking scene was mesmerizingly vulnerable."

 - New York Times


Opera Company of Middlebury

June 10, 2016

Lady Macbeth - Macbeth

Eric McKeever, Macbeth

Elizabeth Baldwin, Lady Macbeth

Isaiah Musik-Ayala, Banco

Mackenzie Gotcher, Macduff

Mark Tempesta, Malcolm

"The role of Lady Macbeth is known for its challenges. Baldwin was more than up to the challenge as she possesses a powerful voice that can easily cut through Verdi’s large orchestrations and choral music...Her sleepwalking scene was a perfect virtuosic display."



Soprano Elizabeth Baldwin has been praised as “ferociously talented” by the San Francisco Examiner. Upcoming engagements include Ms. Baldwin's house and role debut at Municipal de Santiago Opera Nacional de Chile in the title role of Norma. 

Recent engagements include: Sieglinde in Die Walküre with the Miami Music Festival's Wagner Institute, Verdi's Macbeth in the role of Lady Macbeth with both the Opera Company of Middlebury and NYC's Loft Opera as well as her debut with Dallas Opera in their concert entitled Verdi & Co, featuring scenes from RigolettoLa Traviata and Aïda. Other recent highlights include her return to Chautauqua Opera as Tatiana in Tchaikovsky’s Eugene Onegin, the title role of Puccini’s Tosca with Opera San Jose, Kentucky Opera and the Boston Youth Symphony, the title role in Strauss’ Ariadne auf Naxos with Opera Theater of Pittsburgh, Amelia in Verdi’s Un Ballo in Maschera with the Boston Youth Symphony, and she joined the roster of the San Francisco Symphony to cover the role of Ellen Orford in Britten’s Peter Grimes, a role which she had sung previously at Chautauqua Opera. 

As a member of San Francisco Opera’s Merola Program she performed excerpts from Boito’s Mefistofele and Stravinsky’s The Rake’s Progress at the Schwabacher Summer Concert and excerps from Verdi’s Il Corsaro and Puccini’s La Rondine on the Merola Grand Finale Concert.

On the concert stage, Ms. Baldwin has been heard recently in Verdi's Requiem with the Alabama Symphony Orchestra, Beethoven's Symphony No. 9 with the Akron Symphony, and Strauss’ Vier Letzte Lieder with the Denver Philharmonic Orchestra. She was also honored to return to her home state as special guest artist with Toledo Opera on their annual gala concert. An active recitalist with a deep passion for lieder, Ms. Baldwin's most recent collaborations  include recitals with the Ravinia Music Festival and the Tanglewood Music Festival. 


Ms. Baldwin was a National Semi-Finalist in the Metropolitan Opera National Council Auditions; Grand Prize winner in the Sullivan Foundation Competition and the Nicholas Loren Vocal Competition; First Prize winner in the National Orpheus Vocal Competition, The National Opera Association Competition, The Heida Hermanns International Voice Competition and the Mildred Miller International Vocal Competition.  She has also been awarded numerous grants from operatic organizations including the Licia Albanese Puccini Foundation, the Giulio Gari Foundation and the Schulyer Foundation for Career Bridges.

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Agent -  Robert Gilder

London Office
N102, Vox Studios
1 – 45 Durham Street
London SE11 5JH
United Kingdom: +44 (0)20 7580 7758
Fax: +44 (0)20 7580 7739

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